Fusible web or glue stick for temporary positioning
A rotary cutter and scissors for fabric shaping
Black fabric for the beak and eye area
Thread in various colors for free-motion stitching
Batting and backing for finishing the project
Creating the Collage
Starting with the cardinal’s body, I built the image layer by layer. I loosely sketched the outline of the bird on my foundation fabric, then began placing and fusing down red fabric pieces to form the body, wings, and tail. I added little bits of black and orange for the eye and beak details.
The background came next — snowy tree branches made from strips of brown and cream, and a sky that faded from grey to pale blue. Because this is a collage project, there’s a lot of freedom here: nothing has to be exact. The charm is in the hand-cut, overlapping shapes and textures.
Once everything was positioned, I used free-motion stitching to secure the layers and add detail. This part felt like painting with thread! I used darker thread to define the feathers and lighter ones to highlight the snowy branches. The stitching added texture, movement, and depth to the entire scene.
Finishing Touches
After the stitching was complete, I added batting and backing and quilted around the cardinal to make it pop even more. I finished the edges with a simple binding in a wintry blue that framed the whole piece beautifully.
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This project reminded me that quilting can be both structured and spontaneous — a perfect balance of tradition and creativity. The Winter Cardinal textile collage would make a lovely seasonal wall hanging, or even a centerpiece in a holiday display.